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Name: Rusalka

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Language: English

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A rusalka is a female spirit in Slavic mythology and folklore. The term is sometimes translated from Bulgarian, Belarusian, Russian and Ukrainian as " mermaid". Rusalka Op. , is an opera ('lyric fairy tale') by Antonín Dvořák. The Czech libretto was written by the poet Jaroslav Kvapil (–) based on the fairy tales. 30 Sep In Slavic mythology, a rusalka (plural: rusalki) is something akin to the Celtic mermaids or the Greek sirens. In short, rusalki are beautiful young.

6 Feb To my right, a man in black tie sighs. Kristine Opolais is singing the title role in the Met's production of Rusalka, an opera by Antonín Dvořák. The water nymph Rusalka wants nothing more than to live on land with the Prince. To get her wish, she agrees to a fateful spell by a witch. In Dvořák's hands , the. The water nymph Rusalka has fallen in love with a human—the Prince—when he came to swim in her lake. Now she wants to become human herself and live.

Also in Murky Waters, a peasant at the Country Inn will say: "I beg you, spare any rusalka you catch at the lake". When Geralt asks why, he will say "Well quite. 8 Jun Rusalka is a water-dwelling nymph who appears in the shape of a beautiful woman. There are many obvious links between the Rusalki and the. 23 Apr Since its premiere in , the production of Rusalka directed by the popular film maker Zdeněk Troška has been one of the most successful. The moving story of water nymph Rusalka is based on the fairy tale The Little Mermaid by H. Ch. Andersen. The fruit of the co-operation between A. Dvořák and. 3 Feb The Metropolitan Opera's new production of Dvorak's “Rusalka” may be the unlikeliest hit of the season, a staging that takes opera's answer to.

15 Jun Rusalka feels trapped in a world from which there is no escape. She is ready to put her immortality on the line in return for a human soul, so she. 18 May Met's New Production of Dvořák's Haunting Fairy Tale Rusalka Starring Kristine Opolais in the Title Role Great Performances at the Met Sunday. 31 Jan The nameless heroine of Dvorak's Rusalka is one of those hybrid creatures that crops up so often in myth and fairy tale, half woman and half. Poetry and sensuality take pride of place in this production of Rusalka, created for the Paris Opera in In taking up the well-known subject of the siren.


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